Not so funny after all (dynamics of good movie making)
It's been about three months since I watched Quentin Tarrantino's Django Unchained and although I have written briefly about his work ( http://intas8n.blogspot.com/2013/11/san-quentins-narrative-on-slavery.html) I cannot claim to have completely plumbed the depths of it's effects on me. His project sits alongside House ( created by Davis Shore and written by Lawrence Kaplow and Peter Blake and featuring amongst others Hugh Laurie) even if they dwell in broadly different categories. When I first was introduced to House, I was fascinated by the dialogues and the central character. The best way to describe it is in the form of art and music. Every time the man spoke you felt as though he was painting and drawing. You felt as though he was dancing across a wide open space and that with every word, a new breathtaking combination was being revealed. Tarantino had the same effect although his mastery was combined with an A list of characters both comical in their presentatio...